Develop and organize arguments 5. Write the introduction 6. Write the body paragraphs 7. Write the conclusion 1.
Naturalism, Capitalism and the Urban Sea Pages: In this novel, characters change in class status and are constantly at risk of being lost in the sea of the urban landscape.
These elements define Sister Carrie and the naturalist movement as a whole. Although Sister Carrie is a text with groundings in the conventions of realism, there is an interesting shift towards naturalism. This shift is most visible when the narrator gives the reader insights into characters and it becomes clear that they are creatures not only of the natural world, but also of the environment.
More specifically, this environment is one of capitalism, of urban landscapes, and class differences. It is no longer feasible for Dreiser, to depict the world as the merely as the realists before him did, he obviously recognizes the forces of the marketplace that not only shape existence, but also in fact create it.
One of the most visible differences between the world depicted by the writers of realist texts and that of Dreiser is that he is keenly aware of urbanization and views the city as a sort of new natural landscape to set his characters in.
He is becoming too wise to hearken always to instincts and desires; he is still too weak to always prevail against them" It is no longer appropriate for Dreiser to rely strictly on the conventions of realism. Here, freewill and desire are not matters of nature or feeling, but are rather symptoms of the environment.
It is this emphasis on characters being shaped by their surroundings that defines this text as a naturalist versus realist text. The distinction is subtle and at times the lines between the two are dulled, but it clear that the focus is not necessarily how the individual responds in a natural way to surroundings, but more so how the environment shapes perception and even reality.
Many of the central characters in Sister Carrie are acting according to the capitalist pressures in their urban society. It should be noted that one of the main features of naturalism is that it is usually set in an urban landscape.
This sea is not only representative of the swarms of people, but of forces stronger than man, in this case capitalism. It is inescapable and all the lives of the characters revolve around either the acquisition of money or the blatant showing off of it.
In such a world, feelings are emotions are secondary to the tide of rampant capitalism and there is always another opportunity in the sea of people.
It should be noted that Carrie is moved along with the tide through a short series of relationships, none of them lasting, everything always changing. It is thus also remarkable that Sister Carrie, despite its frequent scenes featuring lovers, is hardly a love story.
Either he is growing stronger, healthier, wiser, as the youth approaching manhood, or he is growing weaker, older, les incisive mentally, as the man approaching old age.
There are no other states" It could not be put in a more concise way—clearly human nature is no longer molded by the forces of love, feeling, or even rationality or reason. Instead of being shaped by nature and being able to describe characters with microscopic precision, this becomes unnecessary when the reader knows the motivation.
A man is shaped by capitalism, the need to consume and all other impulses become secondary.With Sister Carrie, however, the sea is the object of interest. In this case, the sea represents the sea of people that crowd together in urban areas.
Unlike the jungle, this is a massive place where one could lose the way or become drowned quite easily. Sister Carrie, like most of Theodore Dreiser’s novels, embodies Dreiser’s belief that while humans are controlled and conditioned by heredity, instinct, and chance, a few extraordinary and.
Sister Carrie The genesis of Sister Carrie, Dreiser’s first novel, was as fantastic as its appearance in Victorian America. In Dreiser’s own account, he started the novel at the insistence of his friend Arthur Henry, and then only to appease him.
Below is an essay on "The Image of the City in Sister Carrie" from Anti Essays, your source for research papers, essays, and term paper examples. The image of the city in Sister Carrie Abstract: Theodore Dreiser is known as a city writer in the modern literature of the United States.
Dreiser complained bitterly about the negative impact of The Genteel Tradition on the critical reception of Sister Carrie in a brief essay of entitled "True Art Speaks Plainly." "The extent of all reality is the realm of the author pen," he concluded, "and a true picture of life, honestly and reverentially set down, is both moral and.
Sister Carrie, like most of Theodore Dreiser’s novels, embodies Dreiser’s belief that while humans are controlled and conditioned by heredity, instinct, and chance, a few extraordinary and.